Three years later, Mariasole is still divided between the two countries. I had to introduce my products in the Brazilian market. She producedĦ00 bags, named her brand Les Petits Joueurs and came to Brazil.
YA BON BANANIA PUB PROFESSIONAL
Everything done in a more professional way, with high-quality finishes. All metal components were hand-cut and the Lego blocks, after being carefully analyzed, started being glued to the inside of the bags. It all helped her learn a lot about the quality of the products and make the best choices for the creation of her own accessories.She visited many factories until she found found exactly what she was looking for. She quit her job in Paris and moved back to Florence, a city famous for its high-quality leather.Mariasole has always been into fashion - her mother used to own a multibrand store in Florence and Sole would always go shopping with her. I thought: Im going to start a business there. Her exclusive handmade designs were highly in demand, when her boyfriend decided to move to Brazil. After her first successfulĮxperience, she got all the handbags she owned and worked on new designs to show and sell them to her friends. People wanted to take pictures and everyone asked where she had bought the bag. She worn her unique creation to a party and it was an instant hit among her friends. She also found some Lego pieces and glued them to the bag. Lost in her closet and decided to customize it. She also worked for two years as a clerk at a handbag store, where she got the chance to improve her language skills as well.One fine day, Mariasole saw a very worn out leather handbag She landed in Paris, without knowing a single word in French, and started taking communication and language courses: she learned French and English at the American University. A bold woman, no doubt about it.When she turned 19, after dropping out of Law School and traveling aroung the world, she decided it was time to look for new inspirational ideas. By means of various cultural and aesthetic nuances, it suggests a persona shaped by buffoonery, slapstick, despondency, and irony: in short, a persona identified with that fetish of modernist art, the clown.BIOGRAPHY AND BRAND PHILOSOPHY Mariasole Cecchi was born in Florence, in the Tuscan region, 26 years ago. Debussy's piece, I argue, has a more complex significance than that of a mere canvas on which to poke fun at Wagner or a straightforward reference to a minstrel doll. A consideration of popular response to the dance-on stage, on film, and in the circus arena-reveals Parisian tastes not only for distinct styles of gesture but for American chic, athleticism, and popular participation, as well as the world of the "other." These connotations invite us to consider afresh what is perhaps the most celebrated cake walk of the period, Debussy's "Golliwogg's cake walk" (1908), known particularly for its quotation of Wagner's Tristan. This article proposes an alternative reading, setting the standard scholarly line against other, more subtle impressions of the cake walk's cultural import. Scholars have argued that the cake walk, owing to its African American origins, was welcomed by Parisians as iconic of a racial "other," a signifier of the primitive, uncultured, and grotesque. The popularity of the cake walk among Parisians in the early 1900s is usually attributed to the dance's assumed racial signification.